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The Gaze, by Elif Shafak
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A beautiful and compelling novel, Elif Shafak's The Gaze considers the damage which can be inflicted by our simple desire to look at others
"I didn't say anything. I didn't return his smiles. I looked at him in the wide mirror in front of where I was sitting. He grew uncomfortable and avoided my eyes. I hate those who think fat people are stupid.'
An obese woman and her lover, a dwarf, are sick of being stared at wherever they go, and so decide to reverse roles. The man goes out wearing make up and the woman draws a moustache on her face. But while the woman wants to hide away from the world, the man meets the stares from passers-by head on, compiling his 'Dictionary of Gazes' to explore the boundaries between appearance and reality.
Intertwined with the story of a bizarre freak-show organised in Istanbul in the 1880s, The Gaze considers the damage which can be inflicted by our simple desire to look at others.
"Beautifully evoked" - The Times
"Original and Compelling" - TLS
"Plays with ideas of beauty and ugliness like they're Rubik's cubes" - Helen Oyeyemi
"Entertaining and affecting" - Publishers' Weekly
Elif Shafak is the acclaimed author of The Bastard of Istanbul and The Forty Rules of Love and is the most widely read female novelist in Turkey. Her work has been translated into more than thirty languages. She is a contributor for The Telegraph, Guardian and the New York Times and her TED talk on the politics of fiction has received 500 000 viewers since July 2010. She is married with two children and divides her time between Istanbul and London.
- Sales Rank: #417556 in eBooks
- Published on: 2012-11-01
- Released on: 2012-11-01
- Format: Kindle eBook
From Publishers Weekly
Originally published in Turkey in 1999 to wide acclaim, this screwball love story is Shafak's third novel. (Her fifth, The Saint of Incipient Insanities, was published here in 2004.) Loosely organized around a neurotic obese woman and a feisty dwarf, it teems with parallel plots and digressions, freely leaping from modern apartment living in Istanbul to a 19th-century Turkish freak show and fur hunts in 17th-century Siberia. Shafak's prose (ably translated by Freely) follows a humorous, idiosyncratic course, seizing on arresting visual details, such as "a house the color of salted green almonds" and dispensing oddly charming aphorisms: "Love is a corset." (She adds: "In order to understand the value of this you have to be exceedingly fat.") At one moment, a faceless newborn's features are etched on by an anxious aunt; at another, a shipwrecked Russian sailor surprises a shaman in flagrante delicto with an oversized sable. The early parts of the novel can feel maddeningly unfocused for a book about the power of the stare. Later pages home in on an unexpected emotional trauma, and the atmosphere of fantastical levity clears to reveal an urgent, human pain. Shafak probes the many ironies of appearance and perception with entertaining and affecting results. (Oct.)
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Review
Beautifully evoked The Times Original and compelling TLS Plays with ideas of beauty and ugliness like they're Rubik's cubes -- Helen Oyeyemi Entertaining and affecting Publishers' Weekly Elif Shafak is the best author to come out of Turkey in the last decade -- Orhan Pamuk
About the Author
Elif Shafak is an award-winning novelist and the most widely read female writer in Turkey. Critics have acclaimed her as one of the most distinctive voices in contemporary literature in both Turkish and English. Her novels include The Architect's Apprentice, The Forty Rules of Love and The Bastard of Istanbul which was longlisted for the Orange Prize for Fiction. Her books have been translated into more than 30 languages.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Among Elif Shafak books one to skip
By amateco
I have to say that Elif Shafak is one of the writers I like best, however, in this book I feel that is not the best of this autot.
If you are about to read for first time this writer I would recommend you to start with another one , as to say, The Bastard of Istanbul, Honour,the forty Rules of Love... The Flea Palace and the best for me was The Apprentice of Architect.
The Gaze has some good passages but some disgusting especially those of the "fat woman and the dwarf", and those related to the big cherry tent ...
The way the writer connects some chapters - in my view- is trough some words , ( cherry, tent , etc ..)
10 of 11 people found the following review helpful.
A very good book wasted by an incapable taranslator
By Retigi
The English translation of this book is incredibly bad. Here is a very simple example:
In the original text it says:
... with 50 cannon salute ... (in Turkish: 50 pare top atisiyla)
And here is the translated version:
... with 50 tosses of the ball ....
(in Turkish "cannon" and "ball" are homophonic words. Unfortunately, not being aware of this fact, the translator made up a new sentence which does not even convey the meaning of the preceding sentences.)
The translated text contains lots of such errors. If you had read this wonderful book of Elif Safak, and had not liked it, be sure that it is just because of these awkward translation errors.
7 of 9 people found the following review helpful.
captivating gaze
By Guillermo Chantada
This is a wonderful book, probably the best one I have read of Elif Shafak. This is a very well written story with parallel stories in different time that interdigitate to make the whole message stronger. It deals with how other people sees us and the effects that seeing, being seen and not seen and not being seen have in our lives. Secrets that we all have and how they impact on our wish to be seen and be seen are also wonderfully depicted in this novel. If you wish to expore this excellent contemporary Turkish novelist, The Gaze is a good start.
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